In her work, Belkina shows herself as a distant character in different roles, thus putting her own individuality into perspective, while at the same time addressing the viewer. As a modern, makable creature, the woman is turned into a new heroine in the story which is both recognizable and mysterious. Does she coincide with the archetypal figures from age-old fairy tales and folk tales (Blue Beard, Little Red Riding Hood, The Little Mermaid, Odette, Rose Red and Snow White) in which her role as a woman seemed clearly defined, or does an underlying layer appear, which disrupts this assumed familiarity?
Empty Spaces takes on the form of a metropolis. However, this urbanized world is artificial and purely materialistic and, as a tiny dot in this constructed whole, man feels even more lonely and abandoned. In Belkina's vision, the metropolis has created a new type of human, in which only a hint of consciousness of the connection with the true universe is present.
Katerina Belkina lives and works in Moscow.
KATERINA BELKINA
Empty Spaces
Red Moscow
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
The Flight
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Enter
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Fly
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Metro
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
The Road
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Weighing
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
Morning Message
Copyright © Katerina Belkina, courtesy Gallery Lilja Zakirova
They are so slick and strange. Yes, I agree this woman seems disconnected from the turmoil and disasters happening around her, right outside her window. And that seems very sad. Maybe, she will figure it out. Maybe, she will wake up. That is the hope that she'll turn her head and see.
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