Tuesday, October 8, 2013

Sartorial Anarchy; Style and Sympathies by IKÉ UDÉ

Style and Sympathies include a selection of self-portraits from Nigerian born IKÉ UDÉ's critically acclaimed Sartorial Anarchy series and for the first time, the series will be broadly continued and presented. Udé's distinctive portraits, which poeticize colors, sumptuous fabrics, and composition, transcend the traditional aesthetic of portraiture by adopting a post-modern twist. The portraits show a highly stylized world of color and improvisational virtuosity, in which the artist employs men's fashion ensembles that have been culled from various historical times and geographies.

Udé has been engaged with this body of work since 2010, when the first photographs of this series were presented in the exhibition, The Global Africa Project, at the Museum of Arts and Design (MAD), New York.

Wherein he is dressed in varied costumes across geography and time, Iké Udé explores a world of dualities: photographer / performance artist, artist / spectator, African / post-nationalist, mainstream / marginal, individual / everyman and fashion / art. His photographic work is in the permanent collections of Solomon R. Guggenheim Museum, the Smithsonian Museum of Art, and in many private collections.

Iké Udé lives and works in New York City.

Style and Sympathies is on view at Leila Heller Gallery, NYC.


Styles and Sympathies
IKÉ UDÉ
Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Courtesy of the artist and Leila Heller Gallery

Style and Sympathies by Iké Udé
October 10 - November 9, 2013

Featured in the Arts section of the Huffington Post


Thursday, September 26, 2013

ALAÏA, the exhibition

Inventing new shapes out of simple interplay between complex stitchings, Azzedine Alaïa became the creator of a timeless body of work. His influence on today's fashion is fundamental. An indefatigable worker and a sublime shaper of his own persona, he continues to go his own way, preferring 'garments that last' to those that vanish with the season. An insatiable lover of the opposite sex, he likes to say, 'I make clothes, women make fashion'. The models and women friends he has brought to the world - among others Naomi Campbell, Stephanie Seymour, Linda Spierings, Linda Evangelista, Veronica Webb and Yasmin Le Bon - are also his most faithful admirers.

The Palais Galliera is honoring Azzedine Alaïa with its opening exhibition. This first Paris retrospective, presented in the Palais's newly renovated galleries and in the Matisse Room at the Musée d'Art moderne of the City of Paris, comprises a selection of seventy iconic models retracing a unique creative career.

ALAÏA
© Patrick Demarchelier

















Courtesy Palais Galliera
Copyright © Pierre Antoine
ALAÏA is currently on view at the Palais Galliera

This post is also on the HuffPost

Tuesday, September 17, 2013

Tuesday, August 20, 2013

Bombay Boulevard; The Colors of India

“What the hell am I doing? Thirty years of photographic ethics hit me in the stomach. I’m sitting in a taxi with the window open, searching intuitively for events in the ongoing day-to-day life. I’m mulling it over while I freeze the moment, questioning my method, myself as a photographer and as a human being. Who am I, sitting in a taxi, photographing the poverty of Bombay? They can’t defend themselves against my camera. I deprive them of the last thing they have, their integrity. When you are poor you are transparent, both to the public and to the authorities. I feel a pang of guilt. Christer Strömholm and Anders Petersen taught me to take responsibility for my images, to stay at shooting-distance. But this is the only way of presenting an honest and true picture of everyday life here in Bombay. From an expressive point of view it was very liberating to get a sense of the situation and follow my feelings. The camera doesn’t have time to rearrange reality; it’s there, in the moment.”
~~~Håkan Elofsson


When Swedish photographer Håkan Elofsson takes his images, he sets out from the situation and the moment - and when it arrives, he switches on all his senses. The camera can be the key to other people's lives, and, at the same time, it shields him and legitimates his presence. This series of photographs are from Elofsson's frequent visits to Bombay and depicts people's constant dealings. It could be anywhere in the world, but now it is a journey along Bombay Boulevard.

Håkan Elofsson lives and works in Stockholm, Sweden.



Bombay Boulevard
Copyright © Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

© Håkan Elofsson

HÅKAN ELOFSSON
Bombay Boulevard is on view at Fotografiska