Wednesday, February 1, 2012

Yiqing Yin: " In Carne "

Earth elements were the overall color theme at Yiqing Yin's Spring Couture show in Paris this season. Models walked down the runway, draped or veiled in aerial clothes.

The sculptural collection was dominated by fluid pieces lapped in layers, fox fur razed and meshed onto ruffles and delicate fabrics to produce an undulating effect. The Chinese-born French designer played with the textiles to create unique designs.

  "The animality without being provocative" was how Yiqing Yin described her collection, the animality accepts the elegance of the simplicity where the body breaths.

The body of the Yiqing Yin woman is made to shelter the evolution of an universe that keeps changing and  does not fear the metamorphosis.

Yiqing Yin
Haute Couture S/S 2012
















View more on the slideshow



Courtesy Yiqing Yin / Totemfashion
Photographer: Shoji Fuji
This post is featured on the Huffington Post



Tuesday, January 31, 2012

Sandra Birke: " In Dog We Trust "

No one loves us as unconditionally as a dog. Man's best friend, the dog has now become a fully accepted member of society, and for many of us, a substitute for child or partner, a beloved companion.

Inspired by the devotional imagery of the Orthodox Church, Sandra Birke created her own set of icons. These icons form a series of twelve photographs entitled In Dog We Trust. Mounted on wood, each image consists of a canine portrait surrounded by items, such as rubber bones, dog waste bag dispensers, and feeding bowls, achieving a very natural and authentic feel.

Sandra Birke lives and works in Dusseldorf, Germany.

"In Dog We Trust" is a tribute to our favorite domesticated animal.


Ben © Sandra Birke
Cassandra © Sandra Birke
Emma © Sandra Birke
Finn © Sandra Birke
Guckstdu © Sandra Birke
Helena © Sandra Birke
Idefix © Sandra Birke
Irma © Sandra Birke
Jessi © Sandra Birke
Louis © Sandra Birke
Mattes © Sandra Birke
Pelle © Sandra Birke

Courtesy Sandra Birke
In God We Trust, on exhibit at Gallery Cote Seine & Trianon, Paris
February 25 - March 1, 2012



Thursday, January 26, 2012

California Dreaming....

 The exhibition Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982, examines swimming pools in photographs from 1945 to 1982 as representations of the ideals and expectations associated with Southern California.

These images of individual water-based environs in the arid landscape are an integral part of Southern California's identity, a microcosm of the hopes and disillusions of the country's post-World War II ethos. As a private setting, the backyard pool became a stage for everything from sub-culture rituals to clandestine desires. As a medium, photography became the primary vehicle for embodying the polar emotions of consumer optimism and Cold War fears.

For the first time, this exhibition, its catalogue, and accompanying programs trace the integrated histories of photography and the iconography of the swimming pool, bringing new light to aspects of this complex interaction.

"Probably the most exciting thing about the exhibition is the range and caliber of the photographers that were included. The exhibition features works by Slim Aarons, Herb Ritts, Ed Ruscha, Diane Arbus, David Hockney, Julius Shulman, John Baldessari, Bill Owens, Maynard Parker and Rondal Partidge, and references a unique blend of photography styles in post-war America."
~~ Bob Bogard, Director of Marketing Communications, Palm Springs Art Museum

Backyard Oasis is currently on view at Palm Springs Art Museum.

Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982
Bill Owens, Hockney Painted This Pool, 1980, Los Angeles County Museum of Art
© Bill Owens

Michael Childers, The Hockney Swimmer, 1978
Courtesy of Michael Childers © Michael Childers

Bill Anderson, Edris House, ca. 1954
Collection Palm Springs Art Museum © Palm Springs Art Museum

Anthony Friedkin, Woman by the Pool, Beverly Hills Hotel, CA, 1975
Courtesy of the artist and Gallery Luisotti © Anthony Friedkin

David Hockney, John St. Clair Swimming (from Twenty Photographic Pictures), 1972
Sonnabend Collection, New York © David Hockney; photo credit Richard Schmidt

Leland Y. Lee, Silvertop - Hollywood Dawn, 1972
Courtesy of the artist and Michael H. Lord Gallery © Leland Y. Lee

Herb Ritts, Richard Gere - Poolside, 1982
Courtesy of the Herb Ritts Foundation, Los Angeles © Herb Ritts Foundation

Edward Ruscha, Nine Swimming Pools, 1968, one of nine c-type prints
Courtesy of Ed Ruscha © Ed Ruscha

Lawrence Schiller, Marilyn Monroe, 1962/printed 2011
Courtesy of Judith and Lawrence Schiller; Lawrence Schiller © Polaris Communications, Inc


Mel Roberts, Rich Thompson, Indio, 1963
Estate of Mel Roberts © Michael H. Epstein & Scott E. Schwimer


Mel Roberts, Robert and Cliff, Sherman Oaks, 1980
Estate of Mel Roberts © Michael H. Epstein & Scott E. Schwimer


Lawrence Schiller, Palm Springs Fashion, No. 8, 1964/printed 2011
Courtesy of Judith and Lawrence Schiller, Lawrence Schiller © Polaris Communications, Inc.


Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982
January 21 - May 27, 2012
This post is featured on the Huffington Post



Tuesday, January 24, 2012

Alexis Mabille: Haute Couture Summer/Spring 2012

Paris was blooming with Alexis Mabille's stunning creations and most striking were the gorgeous flower headpieces made to match the color of the clothes. No nose rings for his models, but instead painted faces to match the enormous paper petals.

The catwalk show took place at the lovely Shangri-La hotel, an ideal setting for Mabille's extravagant collection.

Here are some of my favorite pieces.

Alexis Mabille, Haute Couture S/S 2012















Images, courtesy GoRunway